Monday, March 21, 2011

SXSW 2011 Dispatches: Rap Acts, Pepsi Max, and Deervana

The last Saturday at South By always has a perplexing feel -- on the one hand, it's the last chance to see some amazing bands, but on the other hand, maybe it's time for this thing to be over already so you can go back to your normal life, you know, the one where you sleep and eat regular meals and stuff.

Saturday afternoon I hid out at the Rolling Stone party at La Zona Rosa. The underutilized annex portion of the venue had been transformed into a lounge complete with ottomans and mood lighting (like a hip Pottery Barn). Tennis played their happy melodies, the petite Alaina Moore tapping her keyboard with husband Patrick Riley on guitar. New song "Robin" echoed strains of the "Love" song (title: "Love") from the animated Robin Hood film. I guess you have to take inspiration from wherever you can.

The young kids from Surfer Blood amped up the energy and the volume with their peppy surf rock. They played a couple of new tunes as well as "Floating Vibes" and "Swim." But the energy of the room got taken to new heights by London's The Joy Formidable. Ritzy Bryan's blonde bob shook while Rhydian Dafydd pounded the guitar with a fervor that made the veins in his forehead stick out. There were moments of total guitar freak-outs, on-the-floor writhing, and drum solos. Formidable? Yes. Joyful? Most certainly.
Joy Formidable - The Greatest Light Is The Greatest Shade by The Drift Record Shop

Over at the Cedar Street Courtyard the patio was completely packed with people waiting for New Zealand's The Naked and Famous. Playing most of the songs from "Passive Me, Aggressive You," the band hit high points with 80s-influenced "Girls Like You," and the synth-y "Young Blood."

The evening was buzzing with rumors, mostly regarding the inevitable Kanye show (overheard: "Kanye is playing Stubb's with Pearl Jam!"). But there were a few other hot ticket shows including Donald Glover's Childish Gambino at Red 7. The Community actor and former 30 Rock writer took the mic, accompanied by two guitarists, a drummer, and percussionist, who also played violin. (Not enough rap shows have violin.) Glover rapped with an intensity that seemed to belie his rather bubbly persona, creating an interesting dichotomy between songs and banter. He worked though "Let Me Dope You" and "My Shine" and showcased a pretty good falsetto, hitting some high notes, on "Be Alone." While it would be easy to write Glover off, he's far too self-aware to let that happen, making note of that in his lyrics and commenting on it on stage, thanking the crowd for letting him be a comedian and a musician ("If Dane Cook was playing piccolo, I wouldn't be at that show."). Of course, it's possible that the two careers - comedian and rapper - fit well together -- where else can you comment on popular culture and make double entendre Alf references?

Sometime near 10pm the warehouse at 3rd and San Jacinto, covered in Pepsi Max branding, was getting ready for Snoop Dogg. The space was coated with signs, banners, lights, all touting Pepsi Max -- it quickly made one wonder if Snoop might be contractually obligated to mention the beverage in his songs -- like "sippin' on gin and Pepsi Max." Or perhaps to say the product name in place of swearing, like, "187 on a Pepsi Max-in' cop." Snoop, along with Warren G, did an RIP Rappers portion of the show, covering songs from Tupac and Nate Dogg, and Biggie's "Hypnotize." After that I got the Pepsi Max out of there.

At midnight at Lustre Pearl Dawes played great set, steadily rocking until they were joined for a high-energy sing along love fest with Deer Tick on closer "When My Time Comes." The aforementioned Deer Tick followed, with a set devoted to Nirvana covers. The band seemed to channel Nirvana's ethos, not simply covering the songs, but knocking them out with real feeling. The crowd was only happy to sing along to "All Apologies," crowd surf, and toss cans in the air. Deer Tick finished out the set in the only fitting way -- completely smashing their instruments. If that's not rock and roll, what is.

Dawes - When My Time Comes by RootMusic

Saturday, March 19, 2011

SXSW 2011 Dispatches: All Ages Show

Downtown Austin has been bursting with music, craziness, sundresses, Ray Bans, and, as of this morning, hundreds of people waiting for the Perez Hilton party outside of ACL Live. More than a couple of times I've also overheard the word "Winning!" emerge from people's conversations. (It seems to have it's own key, like when people chant "Air Ball.")

While the festival is in its last full day, here's a recap of some of the acts.

After Royals Baths wrapped up at Club DeVille Thursday evening, London's The Vaccines took over. With their super high-energy and great rock guitar they boasted a hint of Arctic Monkeys with a full dose of Strokes. (Though the lead singer more strongly resembles Daniel Radcliffe than Julian Casablancas.) Their six-song set was short, but packed a punch -- like surf rock on Four Loco.
The Vaccines - Blow It Up by Radar Maker

Nashville's Royal Bangs definitely banged it out royally at Buffalo Billiards. What the band lacks in stylistic consistency, they more than make up for in volume. After they finished, Young the Giant played an energetic set to a crowd who clearly only wanted to hear "My Body."

Friday afternoon at Cedar Street Courtyard Chicago's Maps and Atlases took over after the lovely sounds of Marit Larsen. The texture of their music was an interesting hybrid of rock guitar with folksy vocals. The addition of the xylophone on the song "Pigeon" seemed to add just the right touch.


Over at the Onion AV Club's party at the Mohawk, Nashville's Tristen played a nice upbeat set, bringing to mind Rilo Kiley with their tone and pacing.
Tristen - Eager For Your Love by AmericanMythRecordings

Outside Wye Oak made a heck of a lot of noise for just two people. The Baltimore duo cranked through their sounds with a volume that doesn't quite translate into their recordings. Or perhaps I'm playing their music too quietly.

Working the way through Swan Dive (where it turns out Dolorean, not Delorean had been playing -- big difference, actually) to the back patio of Barbarella, bodies were crammed together awaiting the arrival of Deer Tick. Proof that the band's bourbon-drenched tunes have mass appeal: the very handsy baby being held next to me, who alternately pawed at my arms and rubbed animal crackers on the folks in front of him. The set was fast and fun, and clearly enjoyed by all ages.

Deer Tick - Twenty Miles by Partisan Records

Wednesday, March 16, 2011

SXSW 2011 Dispatches: Let The Day Parties Begin

The South By rumor mill was definitely churning this morning, and when Jack White's mobile studio cranked out the music at noon outside of Frank, the rumors were confirmed. (Yep, people stood in the back of a tow truck to try to get a glimpse.)


At 12:30 Seattle's The Head and The Heart played KEXP's live broadcast from Mellow Johnny's. Everyone clapped along to "Lost in My Mind," and the band looked like they couldn't be happier.

Down in the Valley by theheadandtheheart

At the Mohawk's outdoor stage at 2:30, the kids from Givers were rocking out with playful abandon. Drummer Tif Lamson also pulled out a ukulele, and at some point one of the members harnessed a flute (marching band-style). The songs had a Vampire Weekend-type vibe to them.
Ceiling Of Plankton by GIVERS

The Big Stereo party is usually worth stopping in for, if for no other reason than to have a quick mid-day dance party. At 3pm inside Barbarella the floor was pretty vacant, save for some DJs spinning the Gossip and Duck Sauce.

When the sun finally seemed to peek through the day's cloudiness, Denver's Tennis lit up Club DeVille with the sailing vocals of Alaina Moore. The band's peppy style is intensified by Moore's strong voice (which bears some passing resemblance to Nicole Atkins). It's no wonder the band's gotten such a steady stream of good press. Nicely done.

Marathon - Tennis by arrhythmiamusic

Monday, March 14, 2011

Already Buzzing: Bands To Catch At SXSW Music

The South By Southwest Film and Interactive festivals are well underway, as evidenced by the pop-up Apple Store at Sixth and Congress and the number of dudes in hoodies carrying backpacks at the Etsy party Saturday night. But before the Music portion of the fest "officially" begins, here are some of the bands riding the buzz into Austin.

Foster the People
With a three-track EP released in mid-January, this Los Angeles band has been gaining a lot of steam on the back of their super-catchy "Pumped Up Kicks."
Foster The People - Pumped Up Kicks by MusicForBears

The Head and The Heart
This folk-fueled indie band from Seattle signed to Sub Pop in November, and leaves Austin to start their European tour with The Low Anthem.
Cats and Dogs by theheadandtheheart

The Naked and Famous
Sounding something like New Zealand's answer to The Limosines (with maybe a hint of the MGMT of Oracular Spectacular), they're just readying to drop their first album Passive Me, Aggressive You.
The Naked And Famous - Young Blood (Dave Sitek Remix) by The Naked And Famous

Smith Westerns
If you need evidence that this Chicago four piece are buzzing as indie darlings, they're playing the NPR showcase, the Pitchfork party, and the SPIN party -- the triumvirate of hipster approval.
Smith Westerns - Weekend by Vicente P

Sharon Van Etten
A breakout voice at SXSW 2010, Brooklyn's Van Etten returns with beautiful breathiness to play the Onion AV Club party and the Brooklyn Vegan showcase.
One Day by sharonvanetten

Twin Shadow
The synthy charm of Forget made it one of Pitchfork's best albums of 2010 (at #26), and it doesn't hurt that singer George Lewis Jr.'s voice has drawn comparisons to Morrissey from Rolling Stone.
Twin Shadow - Slow by wereofftherails

Mona
Word is that this Nashville band is big in Britain, and while they have yet to release an album, they're all set to play Rolling Stone's day party at LZR. On "Lines in the Sand" singer Nick Brown sounds like some cross between Jeff Buckley and Rod Stewart.
Mona, 'Lines In The Sand' by nmemagazine

More picks:
Fences
The Joy Formidable
Young the Giant
Royal Bangs
Dolorean
Givers
Wye Oak
The Vaccines
Awolnation
Grouplove

Here's a track to listen to while you're making your list, from another SXSW act to watch, The Chain Gang of 1974.
The Chain Gang of 1974 - Hold On by rayray4290